Seven Urban Visions (2005)
Monday, October 19th, 2009
Seven short texts I wrote in 2005, which I had completely forgotten about and just found by chance. Fascinating to find that the idea of using the same syntagms in various orders to generate a narrative and different meanings had started already then (nº1, 4).
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1. Lemon
White fallen bleeding
Concrete grey water
Licking newspaper
Wind
Grey bleeding
Newspaper licking concrete
White
fallen
water
2. Door
In the wasteland left alone
half standing in defiance
to those that had disposed of it.
It was not any more a passage,
a landmark between two worlds.
It had ceased to be.
Slowly devoured by oxide, that
invisible army of worms,
eating it up.
Like the slow fire of the stake
burned the flesh of the impious,
slowly,
eating it up.
3. Why you walk away
Words,
useless myriad of stars
in the constellation of language.
Desperate reaching gestures
trying to bridge anywhere,
out.
How could one reach
the unreachable,
the other,
you…
with
those desperate,
dignified reaching gestures,
that myriad of useless human cries?
How to say
how I long for my soul
to bathe in the dark, secret lake of your eyes?
4. Street Seller
Hours lost
newspapers beer
old glasses worn out
Life lost
Crumbling look
confused walk
Lost papers
hours beer
worn out life
Lost glasses
Confused hours
Crumbling life
5. Because I doubt
It is because I doubt,
that everything is unclear.
Paralysed, I doubt
suspicious of my right to doubt, even;
sweating, consumed in uncertainty.
Do you doubt, too?
Do you see my doubts?
Do you…?
It is because I doubt, I know
that everything seems to take so long:
Do you…?
Did you…
doubt…
…from the very beginning?
6. Milk
In one corner
at the side of the station
an old milk pack.
Torn,
eroded by rain and rats,
kicked by a mumbling commuter.
The remains of its content still around it,
Like the urine of a dead man…
…or an exploded lung.
7. The Old Man
The old man sits quietly on the carriage.
The early light of the sun is falling down from a confused sky, breaking up into a constellation of little golden reflexes in the windows of the buildings as the train goes by.
In the far distance, Canary Wharf and the other towers appear like a ghostly fleet of metallic ships coming out of the mist; almost out of one’s own future memories…
The carriage is full of people reading busily, full of a barely contained energy. The old man sits still, his grey eyes look still into the void. After some minutes the train stops: Liverpool St., final destination.
The mass of people moving out like an organic, chaotic tide cannot rock his stillness. The old man moves slowly, incredibly self-absorbed.
Lost in the strange bliss of someone irretrievably tired of oneself, he is waiting; waiting with the eternal smile of the stars… to stop being.
Qué bonic Oscar!!!!
Nice, but….
“Like the slow fire of the stake
burned the flesh of the impious…”
really dont like this sentence.
Salut, mestre.